In as quarteto, already it imagines that it is losing its direction ' ' my life anoitecer' ' , and it makes then, emotional blackmails with God, trying to save itself, asking for it receives that it with ' ' brandura of a father ' ' , and in this hour that it waits the mercy of God. While in first terceto if it analyzes a characteristic of the Baroque one, the conceptismo, enters the love of God and its to sin, that is, God has an infinite love, but its to sin is simply finite. in finishes estrofe it waits to save itself, therefore it trusts, although to have sin, since God is merciful goes to take care of its order. LYRIC POETRY D. NGELA Angel in the name, Anglica in the face, This is to be flower, and Angel together, To be Anglica flower, and angel florente, In who, if not in you if uniformara? Who would see a flower, that does not cut Of green foot, of rama florescente? who an angel turns luzente so, That for its God, not idolatrara? If as angel you are of my altars, You are mine custdio, and my guard, I of devilish bad luck Exempt, But I see, that so beautiful, and so galharda, Rank that the angels never give regrets, You are angel, tries who me, and he does not keep to me.

ANALYSIS This is one soneto of decasslabos verses with rhymes regular, that is, you rhyme opposing in the two quartetos (ABBA/ABBA), and rhyme alternating in the two tercetos (CDC/DCD). In this lyric poetry it evidences of a side the idea of the love, that can be of pain and suffering and of another side is seen the figure feminine as a perdio, a sin that torments. Whose Anglica name, Latin name of flower and in ngelus (angel).

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